![]() This is not a movie, this is really a necessary promotion which shows that we don’t need to waste time with any patch to make an average cinema, we definitely need a narrator who has his own People sitting on the sidelines have the courage to maintain social issues, paying little attention to the possibility that the story is entirely about that. There is a Thi Dayan between all the courageous and the eye-catching. As an adult, Babu suspects that a living witch is returning for him. A conscious soul that practices black magic and short life. At a young age, Babu gave the setter the idea that bound him and his progressive-energetic sister to be kind. Surprisingly, he can survey his childhood memories. When the traumatic mental outburst gives him the opportunity to seize the opportunity, he seeks the help of an authority. Bobo is a common and skilled illusionist, yet he is strange by his past. It shows their satisfaction in handling their relationship. She has two sisters, one living abroad and the other staying here. It’s a story about respect, misfortune, and life and the passing of time – all the things we know about. We have seen globalization, childlessness and conflict between relatives. A story is something we can collectively identify here and there. “Cake” is a story about love, misfortune and the passage of time. The film stars Sanam Saeed and Amina Sheikh in the lead roles, along with Adnan Malik, who has started his film career. And Zeb Films, a Pakistani film production organization. The film is delivered by Syed Zulfiqar Bukhari and is a joint production of Asim Abbasi’s UK-based creative organization Indus Talkies. Movie Cast: Amina Sheikh, Sanam Saeed, Adnan MalikĬake Movie Free Download 720p Cake is a 2018 Pakistani satirical drama film co-produced by Asim Abbasi. A woman who takes care of her elderly parents and their land joins her sister when her parents’ health deteriorates.Ģ.
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![]() Rachel: For me, this is where the Xbox One X secured its spot in the front room. Nature documentaries: better than videogames. Even with a tiny mini-ITX PC case, there's no way I could build something this sleek or this quiet. So big props to Microsoft's engineers for that accomplishment. Under a gaming load, though, my PC is definitely louder-and with the Xbox One X hidden away behind an entertainment center door, it should be quiet enough to go all but unnoticed. At idle it's louder than my PC, which has much more space for ventilation and more fans to keep things cool. I had the system sitting outside my entertainment center, and could definitely hear its 120mm fan whirring away while sitting on the dashboard. You can see all of this in a teardown video Linus Tech Tips put together.Ĭompared to the old days of jet engine Xbox 360s, the Xbox One X is remarkably quiet, but it's certainly not silent. It has kind of a grown-up vibe, and somehow Microsoft managed to cram more GPU power and higher-clocked CPUs onto the board. It's smaller than the first Xbox One model and I really dig the design, simple as it is. Wes: Speaking of guts, this box really is tremendously impressive. (This may not be a real thing.) It's not better, but it's compact, simple, and some people like never having to touch the dusty guts of their gaming machine. Despite a few more menus you can tinker around in this is a box that sits under your TV that is never going to shut down because your mouse drivers conflict with your printer. It looked so good it was almost offensive. Is there anything the Xbox One X really does better than a Windows machine?Ī 4K Blu-ray of BBC wildlife documentary Planet Earth II led to me shouting "fuck off" at a komodo dragon. ![]() The home dashboard is still a bit confusing and peppered with ads, and recording and sharing video and screenshots is just so limited compared to using a PC. It feels like the Xbox One has moved more in the direction of a PC than a home console, but it doesn't quite have the power or multitasking chops to really replace a PC. The nerd in me enjoys being able to see the actively updating megabits per second download rate of whatever's in the queue, and I really appreciate how much detail the video settings screen gives about my TV's 4K capabilities. But it's still much more information-dense than the interface on the PS4 or the Switch, and I'm not sure how to feel about that. ![]() Microsoft got rid of its horrible "snapping" system and made everything relatively easy to use. I wouldn't say it's great, but with a press of the Guide button I can quickly see friends, jump to the system settings, see what's downloading, and pretty much everything else important. It's been almost two years since I've used an Xbox One regularly, and I have to say after a bit of time with the Xbox One X I'm impressed by how much better the user interface has gotten. Games, people, and influences mentioned or discussed: Metal Gear Solid, Konami, Capcom, Die Hard (obliquely), Killer 7, Grasshopper Interactive, Suda51, Fatal Frame, Hideo Kojima, Dark Souls, 28 Days Later, Gamecube, PS4, Nintendo, Deus Ex, Sylvia Moreno-Garcia, Mexican Gothic, Julian Gollop, X-COM, Soren Johnson, Civilization III, Control, Kirk Hamilton, Aaron Evers, Mark Garcia. Issues covered: having more cutscenes and quotable lines, set piece stuff that reminds you of other series, tying back to the series, parallels with Metal Gear Solid, being campy vs leaning into camp, new enemy types, whether an enemy was skippable, feeling resource poor, weapon choices, conserving resources as much as you can, losing resources to being unable to line up enemies, making ammo more powerful via upgrades, killing parasites with flash grenades, whether resource constraints are balanced for all players dynamically, leaning more heavily on QTEs, replacing mechanics with QTEs, forcing exposition, camera authoring, uninteresting skill challenges, Ashley driving and the rail-shooting, being more action-y than survival horror, wish fulfillment/power fantasy, where you can kill enemies, Krauser and backstory, leaning on prior character knowledge, feeling like the Saddler battle doesn't pay off, not having the right location, the eye in the mouth, the series going darker, replaying the jetski scene again and again, controller problems, planned obsolescence, the rainbow proposition, sturdier controllers, credits story time, ending with a bit of a whimper, Mike we hardly knew ya, Brett's Book Recommendations, the commitment to design tension, the pacing of combat, linear macro design with arena sections, agency in level flow, the AI states and how they work everywhere, the great balancing across the whole game, balancing a game you can't change, pushing your game further but not too far, adding the right things and leaving the right things behind. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. We talk about various set pieces at the end, a bit about ammo types and balance, and of course, our takeaways. ![]() ![]() Welcome to Dev Game Club, where this week we complete our series on Resident Evil 4. Diablo 3s patch 1.0.5 is now live on the public test realm with a new level 60 challenge called the Infernal Machine.A few players have explored the PTR and reported exactly what you need to do in order to activate it. TikTok is overwhelmingly the realm of Millennials and Generation Z. Therefore, there is little point advertising on TikTok if you sell to the wrong demographic. The first rule of social advertising is to market where your target audience spends its time. However, TikTok advertising isn't for every business. TikTok introduced a self-service advertising platform in 2019, similar in style to Facebook's offering, making it easier to create TikTok ads than it had previously been. The nature of TikTok, featuring videos of 15 to 60 seconds, does limit the number of ad spots available, compared to some other apps, such as Twitter, meaning that your ad is less likely to get lost in a crowd of competing ads. Indeed, TikTok was the 6th ranking app globally by monthly active users in 2019, and its success has continued into 2020. It has a more sizable following than some of the arguably better-known platforms, such as Snapchat, Twitter, and LinkedIn. As we showed in our Ultimate TikTok Benchmarks Guide, TikTok has quickly grown to become the world's 7 th most followed social platform. ![]() If you're a Baby Boomer or somebody who hasn't kept up with the social media habits of youth, you might be surprised by the recent popularity of TikTok. Why Would You Consider TikTok Advertising? ![]()
![]() ![]() At one point, 2 Chainz asks three rapid-fire questions (“Have you ever seen a homicide? Have you ever seen your partner die? Have you ever been traumatized?”) and then coolly details his bracelets for the day. That song, "Saturday Night," is itself a balancing act between promethazine habits and chauffeurs with questionable etiquette. "This a new kinda kitchen," he raps, “marble countertops, see-through fridge/Three-thousand for the microwave, touch-screen stove.” Which all seems very luxurious, sure, until the turn: “Please don’t make me relapse/Make me start back trapping.” Pretty Girls Like Trap Music opens with a kitchen tour, too, but where Jeezy saw cash machines and million-dollar advances, 2 Chainz sees ghosts. That record’s arc was powerful but short-the roaches were gone and there was too much money coming in to worry about stashing some Raid for a rainy day. To jump back to trap’s first heyday: Let’s Get It: Thug Motivation 101 begins with Jeezy walking into his kitchen, hitting the lights, and seeing marble where there once were cockroaches. Part of this is the perspective that comes with age. Tity raps about how addictive the rice at Benihana can be and says he should have a tattoo on his stomach that says “PRAWNS ONLY” he also pleads with his mother to quit smoking and sighs, “If I’m not successful, ain’t nobody gon’ come and console me.” This is the song where he namedrops Scarface, then clarifies: he’s Al Pacino and Brad Jordan in equal measure. Take "Poor Fool," where Swae Lee channels 2 Chainz’s mom on the chorus. The absurdism is still there, but there’s a pernicious sobriety that never goes away. The tone on Pretty Girls is a little bit darker than last year’s insane, freewheeling Daniel Son Necklace Don. It’s also the most complete 2 Chainz album to date, and places him where he belongs: in the upper echelon of rappers from this era. This is the culmination of an eight-year second-wind. The Tity Boi from Pretty Girls is a motivational speaker, a testament to grit and hustle and the power of self-belief, Tony Robbins if Tony Robbins was friends with Raekwon. ![]() Mercifully, these are the only two moments of grousing. Barely over a minute into the album, he barks at you to get off his lawn at another point he fires shots at quote-unquote mumble rappers. This is trap music that your uncle will dance to while he barbecues, taunting you and spilling sauce on his white linen suit.Īnd that's appropriate: 2 Chainz is 39 years old. ![]() Pretty Girls certainly falls within trap’s ever-expanding parameters, but it's supremely laid back, nearly 180 degrees away from the maximalism of the Flockaveli and Lex Luger era. In the 2010s, it became the dominant commercial mode for rap, with other regional sub-genres-drill, for example-mutating its meanest, grandest elements into something new. Trap music’s roots date back to the early Clinton years, and it's been a presence in rap’s mainstream in various forms since at least the beginning of the first Iraq war. And when he finally pauses to catch his breath, he says to the audience, “Right now, if you hear this, you’re a miracle. He mulls over the NBA career that could have been. When the minister finishes, 2 Chainz raps, "‘Cause you got a deep title, don’t mean that you deep," laments his “codeine kidney,” points out that he willed the Bentley truck into existence, and recalls his mother’s issues with addiction. It belongs to Louis Farrakhan, the longtime Nation of Islam leader, which means there’s exactly one degree of separation between Tity Boy and Malcolm X. This voice is not from a polite radio DJ, or from an eager Def Jam employee. The voice goes on: “There’s a certain power presence that he gives off.” "As I met 2 Chainz a few minutes ago-as I gazed into his face-I felt that I was in the presence of royalty," the voice says. The last song on Pretty Girls Like Trap Music opens with a disembodied voice, no introduction, no instrumental. ![]() I am calling them: “main.cpp, main.h, opengl_3.cpp, opengl_3.h”. Make sure it is empty to begin with, and then create 4 files. So open up Visual Studio and create a new Windows Console Application in C++. This tutorial is going to be very similar in some ways to most Win32 OpenGL tutorials available, the only difference being that it has an OpenGL 3.2 context instead of a standard context. ![]() I’m also going to be aiming for a more Object Oriented approach to programming in these newer tutorials. Let’s finally get into this tutorial, because it is going to be a long one. ![]() *note* You can jump straight to the bottom of this page to grab the PDF version of this tutorial, or the project files. I will talk about this in a later tutorial, but there is a library called GLM, designed for use with OpenGL and GLSL, which will help us with our matrix operations. OpenGL now likes us to handle our own matrices. This means calls such as glRotate and glTranslate are now deprecated and not recommended. To put it simply, OpenGL does no matrix operations for us such as setting the Projection Matrix, setting the Model Matrix and setting the View Matrix. Matrices are one of the major things affected by OpenGL 3. Vertex Buffer Objects were available in OpenGL 1.5 and up as an extension, but they are now a part of the core of OpenGL. When it comes to rendering shapes, instead of setting the state and then calling the vertices one by one, OpenGL 3 and upwards wants us to use Vertex Buffer Objects and Vertex Buffer Arrays straight out. Without the Immediate Mode, OpenGL has gone for an almost entirely shader driven architecture, which gives us control over everything from the word go, and also greatly improves performance. OpenGL 3+ Key DifferencesĪn OpenGL 3+ and 4 context requires you to create a standard OpenGL context (version 1.x or 2.x) and then get your application to opt-in to using an OpenGL 4 context. These tutorials are going to be for Windows only, but if you are keen to get them working on a different OS (My Macbook doesn’t support OpenGL 3.x), please send me the ports and I will post them up. In this tutorial, I am going to be simply creating a window with an OpenGL 3.2 context attached, nothing more, nothing less. If you would like to see some OpenGL 4 extensions in use, you can always donate and help me get a new graphics card. Now I know I have called this part of the site “OpenGL 4 Tutorials”, and all of a sudden I am talking about OpenGL 3, this is because OpenGL 3 and OpenGL 4 are extremely similar, with OpenGL 4 bringing in some new extensions, and because my graphics card only supports OpenGL 3.x. OpenGL 3 introduced a new way of programming in OpenGL that slightly raises the learning curve, but also does away with the entire Immediate Mode by deprecating a lot of the functions. OpenGL has undergone some major changes recently from version 3 and onwards. Watch Mummy movies on Amazon The Mummy StoryĪt the moment, Universal is keeping pretty tight-lipped about what the story of The Mummy reboot is, however, we do have an official synopsis, which you can read below: Originally, the film was scheduled to arrive on March 24 of next year, but after a little movie that you might have heard about called Star Wars Episode VIII was delayed from its May 26 release to December 2017, June became a lot more appealing for Universal. The Mummy will be summoned to theaters on June 9, 2017. ![]() The final Mummy trailer is here - and it includes more Tom Cruise Running scenes than ever before! Check it out… And in this living, breathing, undead document, we’ll keep you posted on what to expect from this attempt to walk like an Egyptian. As the first official release in the new Universal Monsters shared universe, it is intended to reinvent the style with action movie overtones. ![]() The film, which will be directed by Alex Kurtzman and from a screenplay by Jon Spaihts has a lot riding on it. Now, we stand on the precipice of it happening again for 21st century audiences, beginning first and foremost with 2017’s The Mummy. Indeed, long before Marvel Studios made shared universes the new shiny toy in Hollywood, Universal had invented the concept for franchised movies in the 1940s with the Wolf Man, Frankenstein’s Monster, and even The Mummy getting involved in the strangest adventures. After all, just because they are in the coffin it doesn’t mean they’re really dead. For a long time, Universal Pictures has been seeking a way to exhume its horror pantheon of the fabled Universal Monsters. Browse the complete Volcano Choir event list below and select your venue and event date of choice to get started. 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